A cluster of Sanjay Dutt’s photographs from childhood, with family, from photo sessions and movies merge to form his name in the opening credits following a note of gratitude by the makers for his cooperation in completing the film during trying times.
Before the goodwill behind this gesture can register, the hero makes his entry -- splashing his face with beer, mixing his idli with beer and washing his hands with beer because, apparently, ‘Beauty lies in the eyes of the beer holder.’
If the daftness sounds familiar it’s because the dialogues are formulated by the same duo responsible for two previous monstrosities of this year (Himmatwala, Chashme Baddoor) -- Farhad and Sajid.
Immediately after a stout, dishevelled, puffy-faced, snoozy Dutt transforms into an uninspired version of Singham Rathore Pandey hurling a batch of savage goons in mid-air like freshly-made popcorn.
Before the goodwill behind this gesture can register, the hero makes his entry -- splashing his face with beer, mixing his idli with beer and washing his hands with beer because, apparently, ‘Beauty lies in the eyes of the beer holder.’
If the daftness sounds familiar it’s because the dialogues are formulated by the same duo responsible for two previous monstrosities of this year (Himmatwala, Chashme Baddoor) -- Farhad and Sajid.
Immediately after a stout, dishevelled, puffy-faced, snoozy Dutt transforms into an uninspired version of Singham Rathore Pandey hurling a batch of savage goons in mid-air like freshly-made popcorn.
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